My interview with Piya Chattopadhyay on TVO’s The Agenda aired tonight. It’s a little ridiculous how nervous I was today, considering I taped it about 5 weeks ago.

I wasn’t sure I’d watch it. In the end I couldn’t resist. We taped it in one go and I hadn’t watched any of it, so I was curious. Plus it was sufficiently long ago that I didn’t recall all my responses to Piya’s questions and so I was quite intrigued to hear what I would say. :)

Some behind the scenes pics (thanks to my cousin Alia Kherani for taking them):

My publicist Lauren Morocco and I.



The makeup room.










Being made up.

Where publicists and friends watch the taping.

The whole picture.

The whole picture.

photo7I had a the honour of being a part of the launch at Carleton University in Ottawa yesterday of the Uganda Collection — an archive of over 1,000 newspaper clippings, two video recordings, and a personal memoir that documents the expulsion of South Asians from Uganda in 1972.

This is a magnificent collection (now digitized and therefore preserved) of a very important event in Canadian history.

Senator Mobina Jaffer, herself a Ugandan Asian expelled in 1972, spoke at the event, as did Michael Molloy, president of the Canadian Immigration Historical Society and an immigration officer in Kampala at the time of the expulsion. I was thrilled to participate by doing a reading.

The collection includes this now infamous ad  the Leiceseter town council placed  in the Uganda Argus in 1972 (and which was referenced in Where the Air Is Sweet).



My agent Dean Cooke and I.

After last night’s Toronto launch at the Dora Keogh pub on the Danforth, Where the Air Is Sweet is officially launched.

Launches are not what they used to be. Before the internet and social media, a book used to be launched by means of an event — much as a young lady was presented at court, I imagine? (Not the best comparison, I know; but I love Downtown Abbey)

Nowadays, a launch is  simply a celebration for the author. It doesn’t really serve a purpose as far as the book is concerned.

But for me it was essential. For me, the launch was a ritual — as important as a wedding or funeral — in that it marked a significant transition. And in this sense it was like a presentation at court, which  would mark a girl’s transition into womanhood and her entry into society at large.

For  many years this book was a deeply personal experience. It became less personal when I acquired an agent and then a publisher. But even then it was malleable, fluid, in progress, in many ways abstract, becoming. Now it’s finished, solid. Many, many copies have been printed. And it’s out there, in the public.

And, so, it was important for me to mark that shift, from evolving and personal to completed and public. I’ve already documented the big, fun bash we held in Waterloo here.


Editor Jane Warren and I.

The Toronto affair was smaller, quieter, but people who were a huge part of bringing the book to its final form and into the public were there — my agent, Dean Cooke, my editors Jane Warren and Iris Tupholme ( who is also the publisher and editor-in-chief of HarperCollins Canada), my publicist Lauren Morocco. Many former media and publishing colleagues (who have become dear friends) were in attendance  as well. They were all a part of my growing up (career-wise) and therefore a part of bringing my book into reality.

It was a big day, a big week, and I’m grateful to everyone who was a part of it.